grotesque or masks?

Born in 1896 in Munchen, Josef Scharl was a new visionary artist from XXth Century.
In 1910 Josef  was trained as a decorative painter at the Munich School of Painters where he gained practical experience in the restoration of paintings and attended evening classes.

In 1915 he was drafted into military service. War injuries and a temporary paralysis of his right arm forced him to remain in various military hospitals until 1918. Back in Munich he could finally begin studying at the Kunstakademie in 1919.

After studying under Angelo Jank and Heinrich von Zügel Scharl began working as an independent artist in 1921. Scharl moved into the appartement of the Gruber family and married their daughter Magdalena in 1922.

Shortly after becoming freelance the painter had his first successes and his paintings became known to the art-interested public.

Scharl joined the artist groups ‘Neue Sezession’ and the ‘Juryfreien’ and successfully participated in their exhibitions. A scholarship enabled him to travel to France in 1930, where he encountered the works of the Late Impressionists.

After his return the beginning national socialistic culture policy brought with it a turn of events.

Sales and exhibitions decreased, Scharl’s financial situation worsened and he was banned from painting.

Nevertheless Karl Nierendorf enabled him to exhibit at a one-man show. Scharl’s emigration plans were enforced by an invitation of the Museum of Modern Art in New York to take part in an international exhibition together with Beckmann, Scholz, Heckel and Hofer.

In 1939 he emigrated to the USA. Albert Einstein, whom Scharl had met in Berlin, supported him financially and helped him to organise various exhibition projects. The years 1944-46 marked the peak of his fame in the USA. Scharl’s closest friend Wolfgang Sauerländer got him the order of the publishing house ‘Pantheon Books’ to illustrate the Brother Grimm’s Fairy Tales.

The fairy tale book was met with huge public interest and further orders followed, but Scharl was burdenen with worries for his family he left in Germany, the death of Nierendorf and a stomach illness.

Let’s see what we feel when we watch his work.

Don’t stay too close. :) first rule! 😀 IN EVERY GALLERY, DON’T TAKE PICTURE’S MYSTERY!

NOW… the first matter: colours. Brute colours are meant to bring the message as it seems: the masks or the grotesque of reality close to us like a jelly.

But why so many colours maybe can be the question?

Maybe to hide reality’s imperfections? or… to hide the details of age? people lose their age or their maturity.

The second matter: message.

When you look (not to close!) you can see a static message: don’t get too close! or… i am too shy but you can see me! (i mean to the women’s side). MEN are usually deformed. A question? no! :) maybe because he felt that their behavior  deforming their feeling.

I don’t know all the answers, but i can … guess .

The lines are more masculin than feminin, the brute colours and the technique make Scharl an Expressionist and a good Graphician from XXth Century.

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